Keanu Reeves Sci- Fi Film 'Passengers' Gets a 'Game of Thrones' Director. Screenwriter Jon Spaihts is fast becoming a key player in the contemporary sci- fi genre, so it’s worth highlighting his contribution to Passengers: an original drama – set aboard a futuristic spacecraft – that he scripted. Wayfare Entertainment (Sanctum) is producing and financing, with Keanu Reeves headlining, as the actor has been developing the project through his Company Films banner.

Passengers is now set to become the feature- length directing debut for Brian Kirk, an award- winning television veteran who has directed episodes on such acclaimed series as Dexter, Luther, Luck, Boardwalk Empire and Game of Thrones (with the addition of the Primetime Emmy- winning 2. Great Expectations). Deadline, which has the exclusive on Kirk being hired, is reporting that Passengers takes place on an enormous spaceship, which is transporting thousands of humans to a distant planet.

The leading information resource for the entertainment industry. Find industry contacts & talent representation. Watch Wild Gold Online Ibtimes. Manage your photos, credits, & more. Every movie, no matter how great or terrible, has plot holes. Here are fifteen holes in the plot of Doctor Strange — some nitpicky, others gaping.

Everyone on the vessel is kept in a perfect state of suspended animation, untl one of the sleep chambers malfunctions and its inhabitant (Reeves) finds himself awakened 9. Keanu Reeves in ‘The Day the Earth Stood Still’Reeves is no stranger to the sci- fi genre, but Passengers is a departure from his famous sci- f/action titles (insert Bill and Ted joke here), like The Matrix, as well as the somewhat infamous Johnny Mnemonic and Matrix sequels. Something like The Day the Earth Stood Still remake is probably a better comparison, just in terms of Reeves’ previous films.

However, there’s potential for a more emotionally- satisfying, thoughtful, and meditative sci- fi drama with Passengers than Day the Earth Stood Still (something like Duncan Jones’ Moon comes to mind), even before you take into account for how Reeves’ character decides to wake up a female passenger (the role hasn’t yet cast yet) for company, which begins “a unique love story.”Movies like Solaris (both the 1. The same goes for Moon, in addition to other recent films that have utilized fantastical sci- fi elements to explore a more authentic and emotionally- grounded relationship drama (see: Monsters); so, that bodes well for Passengers. Noomi Rapace in ‘Prometheus’Spaihts, as it were, scripted the original Alien: Engineers script draft, before the relatively straight- forward Alien prequel was transformed by Damon Lindelof into the more ambitious (but less cohesive) Prometheus screenplay. Indeed, Spaiht’s big ideas haven’t been smoothly translated into excellent genre fare yet (see: the poor reception for The Darkest Hour, which Spaihts co- wrote), though, by having someone like Kirk at the helm, that might change with Passengers. Moreover, his screenwriting to date shows promise, which accounts for why Disney recently decided to hire Spaihts to rewrite The Black Hole remake for director Joseph Kosinski (Oblivion); not to mention, Universal having recruited him to write The Mummy reboot, which is being put together by director Len Wiseman (Total Recall).

· · If you like this movie and our channel, please subscribe: https://goo.gl/0qDmXe "The Hoodlum" is a 1951 American film noir directed by Max Nosseck. The upcoming Avengers: Infinity War and the untitled Avengers 4 will close out Marvel's Phase 3 lineup, with the final Avengers movie said to be the culmination of. The 3-D action-thriller Sanctum, from executive producer James Cameron, follows a team of underwater cave divers on a treacherous expedition to the largest, most. Gal Gadot arrives as the hero and feminist icon fans deserve in Wonder Woman, which renews faith in the DC Movie universe. Includes downloads, cheats, reviews, and articles.

Hence, if Passengers turns out well, that would bode all the better for the developing tentpole projects being written by Spaihts.——We’ll keep you posted on Passengers as more information becomes available. Source: Deadline.

Wonder Woman Review: The DCEU Finally Delivers a Great Movie. DC fans, your savior has arrived, and she is glorious.

Wonder Woman is the best film from Warner Brothers and DC since The Dark Knight Rises. Director Patty Jenkins and screenwriter Allan Heinberg deliver an immersive origin story with unexpected humor and epic action scenes.

Sanctum is a 2011 Australian-American 3D disaster survival film directed by Alister Grierson and written by John Garvin and Andrew Wight. It stars Richard Roxburgh. You Are Reading: Keanu Reeves Sci-Fi Film ‘Passengers’ Gets a ‘Game of Thrones’ Director.

Israeli actress Gal Gadot comes into her own as a bonafide star. Her initial turn as Wonder Woman in Batman V Superman was underwhelming. I had a deep fear that she would not have the talent or physical presence to successfully portray this character. All doubts are vanquished. Gadot is both ferocious and endearing; innocent, but not naive. Raise your expectations for this film. Wonder Woman is a winner.

The Amazons have lived peacefully for thousands of years in their island refuge of Themyscira. In 1. 91. 8, their sanctum is broken when an American pilot, Steve Trevor (Chris Pine), crashes through the energy barrier that has hidden them from humanity. Trevor is rescued by Princess Diana (Gal Gadot), the daughter of Queen Hippolyta (Connie Nielson), leader of the Amazons. She is stunned to finally encounter a male, but even more surprised by the enemies that follow him. Steve Trevor, compelled by the Lasso of Truth, tells a horrifying tale.

The War to End all Wars has devoured the world of men. Millions are dying as the emergence of chemical weapons takes their toll. Diana fears this is the work of Ares, the God of War. Her mother defeated Ares in a battle that destroyed the Gods of Olympus. Diana, against her mother's stern wishes, decides to leave Themyscira and face Ares. The carnage and disrespect she discovers is far worse than imagined; yet only a piece of a vast wealth of new emotions and experiences.

The screenplay by Allan Heinberg is damn good. A comic writer for Wonder Woman, he knew the source material and intrinsic values of the character. He updates the setting of the story to take place during Word War I instead of World War II. Diana, in Themyscira, is an unparalleled warrior with regal authority. In early 2. 0th century London, she's just a pretty girl who should be seen and not heard by a male chauvinist society. Diana's struggle to be taken seriously as the hero is brilliantly conceived.

She doesn't understand why she has to play a secretary or wear ridiculous clothes. Men do not respect her initially, but learn from that mistake at their own peril. The sexual tension and humor between the leads is fantastic. You will laugh hysterically as Chris Pine and Gal Gadot bumble through uncomfortable situations. Diana has never seen a man, but that doesn't mean she is unschooled in biology or "pleasures of the flesh". These scenes are cleverly written by Heinberg and well executed by the actors.

They add sensitivity and genuine feeling to the plot. I liken it to the awkward as hell first date experience. It is the hard- to- capture realistic elements that distinguish Wonder Woman from the recent DC films.

Director Patty Jenkins (Monster) needs to take a victory lap. A great screenplay doesn't always translate to a great film. Jenkins has a well rounded vision of Wonder Woman. The success of the film is equal to the sum of many good parts. She takes Gal Gadot and molds her into a fully realized character with extraordinary depth.

Wonder Woman has brains, beauty, and heart. I don't mean to besmirch Zack Snyder, but this character development is where he failed in Man of Steel and Batman V Superman. Jenkins has a textured approach. She weaves a rich tapestry between character and story. The Diana we meet at the beginning of the film has grown considerably by the end. The action scenes are akin to swords and sandals meet The Matrix.

We get a lot of wire work, bullet- time slow motion, and sweeping angle CGI shots. Jenkins juxtaposes the vivid brightness of Themyscira with the dark tones of war ravaged Europe. Diana, in her shimmering blue and red, dazzles as she lays waste to the black- clad baddies. Gal Gadot is a hurricane of ass- kicking. The fighting builds like a slow boil to an epic climactic battle with Ares. The God of War is no pushover.

From DC Films and Warner Bros., Wonder Woman renews hope that the DC Universe can match the quality of Marvel. Gal Gadot proves she has the right stuff. Her Wonder Woman is every bit the hero and feminist icon fans deserve.

The film is by no means perfect, but a needed step in the right direction. The Justice League has a solid foundation to build on. The producers just have to remember that respect for the character's history, sophistication, and moments of levity are key to the success of comic adaptations. Make a run when the credits roll, there aren't any additional scenes.