The Hunchback of Notre Dame is a musical based on the 1831 novel of the same name written by Victor Hugo with songs from the 1996 Walt Disney Animation Studios film.

The Hunchback of Notre Dame (musical)The Hunchback of Notre Dame is a musical based on the 1. Victor Hugo with songs from the 1. Walt Disney Animation Studiosfilm adaptation. The musical premiered in 1. Berlin, Germany as Der Glöckner von Notre Dame ("The Bellringer of Notre Dame").

It was produced by Walt Disney Theatrical, the company's first musical to premiere outside the U. S. It ran for three years, becoming one of Berlin's longest- running musicals. The English- language musical The Hunchback of Notre Dame had its debut at La Jolla Playhouse in San Diego, California on October 2. December 7, 2. 01. Subsequently, the show went on to open on March 4, 2.

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2. A deformed bell-ringer must assert his independence from a vicious government minister in order to help his friend, a gypsy dancer.

Paper Mill Playhouse in Millburn, New Jersey.[2] The show closed on April 5, 2. Broadway.[3]The musical relies on a series of musical leitmotifs, which are reprised either instrumentally or vocally. Watch The LEGO Ninjago Movie Online Free 2016 on this page. Each of the central characters has a theme ("Out There" for Quasimodo, "God Help the Outcasts" for Esmeralda, "Hellfire" for Frollo, and "Rest and Recreation" for Phoebus).

The Bells of Notre Dame" acts as a narrative device to tell parts of the story. Thomas Schumacher, president of the Walt Disney Theatrical, noted that the English adaption of the musical embraced the darker elements of the original source material by Victor Hugo.[4]An adaption of the musical, debuted in 2. Music Circus in Sacramento, embraced the novel's assertion that Quasimodo had become deaf after constantly ringing bells all his life by incorporating sign language into the show. Deaf actor John Mc. Ginty was cast as Quasimodo,[5] with a surrogate singer (one of the Notre Dame saints, played by Jim Hogan) singing Quasimodo's songs while Mc. Ginty signed.[6]Der Glöckner von Notre Dame[edit]Wie aus stein: is sung by Quasimodo towards the end of the show, exemplifying the darker Gothic tone of the musical.

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The song pits him against the three gargoyles, who are figments of his imagination created due to loneliness. As they try to encourage him to stay strong, despite Esmeralda loving Phoebus, Quasimodo fights back, arguing that they don't understand what he is going through because they are made of stone. He concludes, wishing that he too were made of stone so he wouldn't be able to feel the pain anymore. Production[edit]Originally rehearsed in English, then retaught in German, the musical opened on June 5, 1. Musical theater Berlin (now Theater am Potsdamer Platz).[7] This project, announced by Stella Entertainment on March 1. Germany depart from its tradition of only importing shows which had proven to be successful on Broadway.[8] For a long time, Berlin was in talks to stage The Lion King, but after those negotiations fell through, Disney offered this property instead.[9] After a successful run - where 1. June 2. 00. 2.[1.

Directed by Lapine, the German translation was by Michael Kunze, choreography by Lar Lubovitch, set design by Heidi Ettinger, costume design by Sue Blane, lighting by Rick Fisher, sound by Tony Meola and projections by Jerome Sirlin.[1. The production cost 4. The production featured forty- two actors from six different nations.[1. Nine new songs were written for this version.[1. Alan Menken noted that "some songs complement the original composition of the film" while "others are very different from the film compositions and extend the musical spectrum", making a special mention of a song in Act II which was inspired by traditional gypsy music.[1.

This was Disney's first musical to premiere outside the US,[1. Berlin's longest- running musicals to date.

As with Beauty and the Beast and The Lion King, Der Glöckner Von Notre Dame opened three years after the release of the movie on which it is based. The musical is a darker, more gothic adaptation of the film. The gargoyles' names have been changed from Victor, Hugo, and Laverne to Charles, Antoine, and Loni - after actors who have played Quasimodo in the past. The gargoyles' comedy in the musical is greatly toned down; they sing in many more songs and they are also firmly established as figments of Quasimodo's imagination. Frollo's past is expanded to include the fact that he was a priest, which was featured in the original novel.

Esmeralda's death is also retained and Quasimodo kills Frollo by throwing him, as opposed to the film version, in which Frollo merely loses his balance and falls. According to translator Michael Kunze, he was "campaigning to allow Esmeralda to die at the end, as she does in the book. There was a feeling that the audience would be depressed if Esmeralda dies. I feel that a European audience would see this as a very romantic ending .. People will cry, but they'll be moved."[1. The producers wanted to see how preview audiences reacted before making the final decision.[1.

The set for the production utilized many large hydraulically controlled boxes that can be placed at any height, onto which projections were used in every scene for scenery and effects.[2. The finale of act one shows Phoebus' plummet from a bridge over the Seine after being shot by an arrow.[2. Synopsis[edit]Act One[edit]In 1.

Paris, Clopin, an elderly gypsy beggar, narrates the origin of the titular hunchback ("Die Glocken Notre Dames" - "The Bells of Notre Dame"). The story begins as a group of gypsies sneak illegally into Paris, but are ambushed by Judge Claude Frollo, the Minister of Justice of Paris, and his soldiers. A gypsy woman in the group attempts to flee with her deformed baby, but Frollo chases and kills her outside Notre Dame.

He tries to kill the baby as well, but the cathedral's archdeacon intervenes and accuses Frollo of murdering an innocent woman. To atone for his sin, Frollo reluctantly agrees to raise the deformed child in Notre Dame as his son, naming him Quasimodo. Twenty years later, Quasimodo develops into a kind yet isolated young man who dreams of seeing life outside the bell tower. A trio of living stone gargoyles, Charles, Antoine and Loni, serve as Quasimodo's only company and friends.

Despite Frollo's warnings that he would be shunned for his deformity, the gargoyles urge him to disobey Frollo, ("Zuflucht" - "Sanctuary") and Quasimodo decides to go out for just one day ("Draußen" - "Out There"). While the Parisians continue their preparations for a festival, the gypsies prepare to attend the festival in their hideout, the Court of Miracles ("Tanz auf dem Seil" - "Balancing Act"). Their attention is taken by a newcomer, a young gypsy dancer named Esmeralda. Meanwhile, Phoebus of Frollo's guard arrives in Paris excited about his new promotion as its captain ("Ein bisschen Freude" - "Rest and Recreation"). He flirts with a young girl but is suddenly interrupted by a fleeing gypsy accused of theft. The gypsy pleads innocence, but Frollo arrives and orders his soldiers to arrest the gypsy.

Frollo tells Phoebus that the city has become overrun by gypsies and that he plans to find the Court of Miracles and eliminate them all. As the festival begins ("Drunter drüber" - "Topsy Turvy"), Quasimodo attends it and he is celebrated for his bizarre appearance, only to be humiliated by the crowd after Frollo's men start a riot. Frollo refuses to help Quasimodo, but Esmeralda intervenes, frees the hunchback, and uses a magic trick to disappear. Frollo confronts Quasimodo and sends him back inside the cathedral. Phoebus refuses to arrest her for alleged witchcraft inside Notre Dame and has her confined to the cathedral.

Esmeralda, encouraged by the Archdeacon, offers a prayer to God to help her and the other outcasts ("Hilf den Verstoß'nen" - "God Help the Outcasts"). Meanwhile, Frollo orders Phoebus to post a guard at every door to ensure that Esmeralda does not escape.

Esmeralda finds and befriends Quasimodo to the bell tower and is captivated by the view of the city ("Hoch über der Welt" - "On Top of the World"). Quasimodo helps her escape Notre Dame out of gratitude for defending him. Esmeralda entrusts Quasimodo with a pendant containing a map to the Court of Miracles.

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